Premenstrual Syndrome 經前症候群
PRINT 3111-002:
Letterpress Bookwork, Spring 2024
I developed my work through experimentation, iteration, and revision by exploring different approaches to visually represent the symptoms of PMS. Through multiple iterations, I experimented with various layouts, color combinations, typographic styles, and textures to find the most effective way to convey the intended message. As I iterated and revised my designs, I refined my ideas, making adjustments based on feedback and personal reflection. Over time, my ideas evolved as I gained a deeper understanding of the subject matter and experimented with new techniques. This iterative process allowed me to fine-tune my work and ultimately create a more impactful and cohesive final piece.
我通過不斷的實驗、反覆修改來完成這個作品，探索不同的方式來視覺化經前症候群（PMS）的症狀。在每一次迭代中，我都嘗試了各種佈局、顏色搭配、字體風格和紋理，最終找到最能傳遞信息的方式。每次修改後，都會根據大家的反饋和自己的反思來調整想法，隨著對主題理解的深入，作品也在不斷演變。這種反覆推敲的過程讓我能夠精細化每個細節，並最終創作出更具影響力和一致性的作品。
Contextually, my work sits within both historical and contemporary frameworks across visual arts, culture, and society. Historically, my project can be situated within the broader context of feminist art movements and the ongoing struggle for gender equality. Artists throughout history have used their work to address social and political issues related to women's experiences, challenging societal norms and advocating for change. In a contemporary context, my project contributes to the growing discourse surrounding menstruation and women's health, reflecting a shift towards greater openness and awareness surrounding these topics. Additionally, my use of Letterpress printing techniques connects to a rich tradition of printmaking and graphic design, while the incorporation of tactile elements speaks to the importance of sensory engagement in contemporary art and design practices. Overall, my work is situated within a dynamic intersection of historical legacies, contemporary debates, and artistic traditions, reflecting broader cultural and societal shifts towards inclusivity, empathy, and understanding.
PRINT 3111-002:
Letterpress Bookwork, Spring 2024
I developed my work through experimentation, iteration, and revision by exploring different approaches to visually represent the symptoms of PMS. Through multiple iterations, I experimented with various layouts, color combinations, typographic styles, and textures to find the most effective way to convey the intended message. As I iterated and revised my designs, I refined my ideas, making adjustments based on feedback and personal reflection. Over time, my ideas evolved as I gained a deeper understanding of the subject matter and experimented with new techniques. This iterative process allowed me to fine-tune my work and ultimately create a more impactful and cohesive final piece.
我通過不斷的實驗、反覆修改來完成這個作品，探索不同的方式來視覺化經前症候群（PMS）的症狀。在每一次迭代中，我都嘗試了各種佈局、顏色搭配、字體風格和紋理，最終找到最能傳遞信息的方式。每次修改後，都會根據大家的反饋和自己的反思來調整想法，隨著對主題理解的深入，作品也在不斷演變。這種反覆推敲的過程讓我能夠精細化每個細節，並最終創作出更具影響力和一致性的作品。
Contextually, my work sits within both historical and contemporary frameworks across visual arts, culture, and society. Historically, my project can be situated within the broader context of feminist art movements and the ongoing struggle for gender equality. Artists throughout history have used their work to address social and political issues related to women's experiences, challenging societal norms and advocating for change. In a contemporary context, my project contributes to the growing discourse surrounding menstruation and women's health, reflecting a shift towards greater openness and awareness surrounding these topics. Additionally, my use of Letterpress printing techniques connects to a rich tradition of printmaking and graphic design, while the incorporation of tactile elements speaks to the importance of sensory engagement in contemporary art and design practices. Overall, my work is situated within a dynamic intersection of historical legacies, contemporary debates, and artistic traditions, reflecting broader cultural and societal shifts towards inclusivity, empathy, and understanding.
從背景來看，我的作品同時處於歷史和當代的交匯點，涉及視覺藝術、文化和社會問題。在歷史層面，我的項目可以聯繫到女性主義藝術運動以及性別平等的長期爭取。歷來的藝術家們一直在用自己的作品探討關於女性的社會和政治議題，挑戰傳統觀念並推動改變。而在當代，這個項目則回應了有關月經和女性健康的討論，反映出社會對這些話題更開放、更關注的態度。再者，我使用的活字印刷技術也讓我的作品和傳統的版畫與平面設計有了聯繫，而加入觸感元素則讓作品在當代藝術和設計中更加強調感官體驗。總的來說，我的作品位於歷史、當代辯論和藝術傳統的交織點，展現了當前文化和社會中對包容、同理心和理解的關注。